16 Dec Photography History 3
Techniques-Photography History 3
Photography History 3 A large variety of photographic techniques and media are used in the process of capturing images for photography. These include the camera; stereoscopy; dual photography; full-spectrum, ultraviolet and infrared media; light field photography; and other imaging techniques.
The camera is the image-forming device, and a photographic plate, photographic film or a silicon electronic image sensor is the capture medium. The respective recording medium can be the plate or film itself, or a digital magnetic or electronic memory.
Photographers control the camera and lens to “expose” the light recording material to the required amount of light to form a “latent image” (on plate or film) or RAW file (in digital cameras) which, after appropriate processing, is converted to a usable image. Digital cameras use an electronic image sensor based on light-sensitive electronics such as charge-coupled device (CCD) or complementary metal-oxide-semiconductor (CMOS) technology. The resulting digital image is stored electronically but can be reproduced on a paper.
The camera (or ‘camera obscura’) is a dark room or chamber from which, as far as possible, all light is excluded except the light that forms the image. It was discovered and used in the 16th century by painters. The subject being photographed, however, must be illuminated. Cameras can range from small to very large, a whole room that is kept dark while the object to be photographed is in another room where it is properly illuminated. This was common for reproduction photography of flat copy when large film negatives were used (see Process camera).
As soon as photographic materials became “fast” (sensitive) enough for taking candid or surreptitious pictures, small “detective” cameras were made, some actually disguised as a book or handbag or pocket watch (the Ticka camera) or even worn hidden behind an Ascot necktie with a tie pin that was really the lens.
The movie camera is a type of photographic camera which takes a rapid sequence of photographs on a recording medium. In contrast to a still camera, which captures a single snapshot at a time, the movie camera takes a series of images, each called a “frame”. This is accomplished through an intermittent mechanism. The frames are later played back in a movie projector at a specific speed, called the “frame rate” (number of frames per second). While viewing, a person’s eyes and brain merge the separate pictures to create the illusion of motion.
Photographs, both monochrome and color, can be captured and displayed through two side-by-side images that emulate human stereoscopic vision. Stereoscopic photography was the first that captured figures in motion. While known colloquially as “3-D” photography, the more accurate term is stereoscopy. Such cameras have long been realized by using film and more recently in digital electronic methods (including cell phone cameras).
Dualphotography consists of photographing a scene from both sides of a photographic device at once (e.g. camera for back-to-back dual photography, or two networked cameras for portal-plane dual photography). The dualphoto apparatus can be used to simultaneously capture both the subject and the photographer, or both sides of a geographical place at once, thus adding a supplementary narrative layer to that of a single image.
Full-spectrum, ultraviolet and infrared
Photography History 3 Ultraviolet and infrared films have been available for many decades and employed in a variety of photographic avenues since the 1960s. New technological trends in digital photography have opened a new direction in full spectrum photography, where careful filtering choices across the ultraviolet, visible and infrared lead to new artistic visions.
Modified digital cameras can detect some ultraviolet, all of the visible and much of the near infrared spectrum, as most digital imaging sensors are sensitive from about 350 nm to 1000 nm. An off-the-shelf digital camera contains an infrared hot mirror filter that blocks most of the infrared and a bit of the ultraviolet that would otherwise be detected by the sensor, narrowing the accepted range from about 400 nm to 700 nm.
Replacing a hot mirror or infrared blocking filter with an infrared pass or a wide spectrally transmitting filter allows the camera to detect the wider spectrum light at greater sensitivity. Without the hot-mirror, the red, green and blue (or cyan, yellow and magenta) colored micro-filters placed over the sensor elements pass varying amounts of ultraviolet (blue window) and infrared (primarily red and somewhat lesser the green and blue micro-filters).
Uses of full spectrum photography are for fine art photography, geology, forensics and law enforcement.
Photography History 3 Digital methods of image capture and display processing have enabled the new technology of “light field photography” (also known as synthetic aperture photography). This process allows focusing at various depths of field to be selected after the photograph has been captured.As explained by Michael Faraday in 1846, the “light field” is understood as 5-dimensional, with each point in 3-D space having attributes of two more angles that define the direction of each ray passing through that point.
These additional vector attributes can be captured optically through the use of microlenses at each pixel point within the 2-dimensional image sensor. Every pixel of the final image is actually a selection from each sub-array located under each microlens, as identified by a post-image capture focus algorithm.
Besides the camera, other methods of forming images with light are available. For instance, a photocopy or xerography machine forms permanent images but uses the transfer of static electrical charges rather than photographic medium, hence the term electrophotography. Photograms are images produced by the shadows of objects cast on the photographic paper, without the use of a camera. Objects can also be placed directly on the glass of an image scanner to produce digital pictures